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Four exclusive new documentaries have just arrived on the One World Online VOD platform. They are united by one uncompromising theme: women driven into a corner by failing institutions, poverty, or a toxic patriarchal system. But do not expect stories of passive victims. The protagonists of these films reveal the most extreme forms of female resilience and show just how far they must go to survive and protect the people they love.
While many of us can often rely on social and legal safety nets, the heroines of these new additions to One World Online have no such luxury. When the system fails and becomes a trap, they are left with no choice but to take justice, livelihood and freedom into their own hands.
From an Afghan teenager and a Georgian surrogate mother to Asian factory workers and women who stood up to their abusers, discover new films that cut straight to the bone.
Sixteen-year-old Soraya, an Afghan girl living in Iran, faces domestic violence with virtually no legal protection. Yet she does not attempt to escape her situation as a passive victim. Instead, she picks up her phone and begins filming an intimate video diary, documenting bruises and failed escape attempts, but also rare moments in which she carves out her own freedom through art and dance. Built from her authentic recordings and drawings, the resulting film proved so powerful that it won the Best Director Award at this year’s One World Festival. In an unprecedented and well-deserved decision, the prize was awarded not only to Iranian director Mehrdad Oskouei, but also to Soraya herself.
Surrogacy in Georgia is a harsh business operating on the edge of the law. For single mother Zhanna, however, it is the only way to secure a dignified future for her daughter. Her job in a local shop is not enough, so she repeatedly takes on the role of a surrogate and rents out the last thing she has left to offer: her own body. This intimate documentary takes us deep into Zhanna’s family life as well as the unforgiving reality of the operating theatre. It offers a raw portrait of unconditional maternal love in its most extreme form and asks: how far can a woman go before she irreversibly destroys herself?

In the vast electronics factories of northern Vietnam, the workforce is made up predominantly of women. To support their families, they leave behind their children and husbands and become the sole breadwinners. The film offers a stark reflection on their dehumanising working conditions and the harsh realities of a deeply hierarchical society. A unique cinematic reconstruction, performed by the workers themselves, reveals the true face of an unforgiving factory system where even the smallest mistake is punished.

Every year, more than 30,000 women worldwide are killed by their partners. This film gives voice to those who ended up on the other side of that statistic. Years of abuse and a sense of hopelessness ultimately drove Laura, Rachel and Rosalba to take the most drastic step imaginable: killing their abusers. Director Coco Schrijber approaches their actions without judgement, presenting them as a final act of resistance against toxic masculinity while exploring the fragile boundary between powerlessness and the instinct for self-preservation.
(Warning: This film contains graphic scenes.)

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