Co-productions are a vital part of the Czech documentary scene and a testament to the country’s appeal as a partner in international filmmaking. One example is Child of Dust, a Polish–Czech co-production set in Vietnam and the United States, which stands as a model of global storytelling and a deeply moving exploration of the search for roots and identity. Another Visegrad collaboration is 80 Angry Journalists, an investigative film that revisits the early days of autocracy in Hungary through the lens of a journalists’ collective that refused to remain passive as Viktor Orbán’s government dismantled independent media.
While one half of the competition reaches beyond national borders, the other remains firmly anchored in the domestic context. This is evident in the audiovisually immersive environmental ballad Resilience, which leads audiences through Czech forests, meadows, and wetlands, urging a deeper sensitivity to the country’s stunning landscapes. The competition also showcases FAMU student work with the strongly performative documentary Vojta's life: A New Episode, in which the director candidly chronicles his attempts to form a relationship in the style of a dating reality show—efforts that, in an era of online dating and ever-present social bubbles, are fraught with unexpected challenges.