Through the lens of a younger generation refusing to passively accept mounting repression, When I Get Jailed captures the suffocating atmosphere of contemporary Russia. In A Free Daughter of Free Kyrgyzstan, a portrait of singer and activist Zere becomes a powerful reflection on women’s rights in a society where domestic violence and bride kidnapping remain a grim reality. Female solidarity—here forged in the context of war—also forms the emotional core of the Ukrainian film Traces, which follows survivors of sexualized violence on their journey from trauma toward mutual support.
Power relations form another key thematic thread of this section, revealing how domination extends beyond individuals or communities to encompass entire nations. Eyes of the Machine manages to penetrate the heavily guarded internment camps for Uyghurs, offering, through the testimony of a local teacher, a powerful corrective to official Chinese propaganda about their treatment. The fact that modern-day slavery is happening in plain sight is laid bare in Driving Europe. Premiering worldwide, the film follows the exploitation of truck drivers who transport goods for multinational chains that we all rely on.