(Yao Wang Fan Xing)
China, long plagued by smog, has declared war "for the defence of the blue sky." An important battle is underway in the city of Langfang near Beijing.
Li, the director of the local environmental office, feels the weight of responsibility. Smog harms the health of citizens and the image of the Communist Party. The task is clear: to improve air quality. But how is this possible if the economy is not to suffer? Li and his colleagues address China's Catch 22. Occasionally, the film gives them room for personal reflection, but it is enough to methodically observe: the office environment, the protagonists' family background, their interaction with officials and ordinary citizens. Practically on each of these levels, the will of the official apparatus comes up against reality, and a balancing takes place on the border between good intentions and bureaucracy, embodying devotion to the party.
|16. 09. 20:00||Atlas - Small Hall||
|20. 09. 15:30||Svetozor - Large Hall||
Acasa, My Home
A 20-year escape from Romania's growing capital is now coming to an end. A modern family of hermits must integrate into the system and accept all its pros and cons.
On 30 October 2015 fire broke out in a Bucharest nightclub during a concert, claiming 64 lives. But more than half the victims didn’t die till they reached hospital. How can that be?
Eye to Eye
A Finnish organisation helps the families of victims of violent crime to mourn. But a key point on the agenda is meeting the person who caused the death of the loved one.
In Nigeria, it's as if women are not even part of public life. An activist known as "Mrs. F." organises workshops and public appearances at which she tries to help women claim the respect of their community.
In Nicaragua’s mountains, one woman decides to defy a fate that is to a great extent defined by machismo culture.
Sing Me a Song
What impact can digital technologies have on the integrity of the ancient spiritual tradition of Buddhism? A time-lapse portrait of a young monk from a monastery in a remote corner of the mountains of Bhutan explores one of the less discussed risks of the digital revolution.
The Painter and the Thief
A documentary double-portrait of the marvellous friendship formed between a Czech painter living in Oslo and a Norwegian felon convicted of stealing her paintings from a gallery.
The Self Portrait
She is fascinated by human faces – but she hid her own for a long time. In an effort to stop time, Lene became enchanted by photography, but also the desire never to grow up and to have total control over her own body.
This Train I Ride
Riding freight trains as a nomadic lifestyle, a negation of contemporary society or an escape from the family. Against the background of the passing landscape, the documentary presents a portrait of women who have completely fallen into this (in)dependence.
Chelyabinsk Oblast is the centre of Russia’s metallurgical industry, which mercilessly leaves its imprint on the environment and on human health. In some places, the situation is on the brink of ecological disaster.
Ice on Fire
Climate change delivers many ominous phenomena but there is an equally diverse set of resources to combat it. But humanity must not waste any of the time that is running out with every drop of melting ice.
A community in subarctic Canada faces the challenge of obtaining even the most basic farm products on a daily basis. However, despite all of the difficulties and emerging environmental changes, they want to maintain their freedom and way of life.
The Czechs Are Excellent Mushroom Pickers
HHow would an extra-terrestrial intelligence view homo sapiens and the way the species plods along? The way we humans treat our planet? Do Czechs differ in how they care for nature?
The Secret Lives of Pigs
Norwegian farmers like to boast about the high living standard their animals enjoy, but there is no official evidence of this, which led teacher Norun Haugen to visit pig farms with a hidden camera.
There's Something in the Water
Canadian actress Ellen Page sets out on a trip through her native province of Nova Scotia. The main trigger for the journey and making this film was the eponymous book by Ingrid Waldron, which draws attention to a new phenomenon: environmental racism.