Philippine director Alyx Ayn Arumpac presents a frightful testimony about the war on drugs that President Rodrigo Duterte has declared on his people. State-sponsored violence is slowly leading to social disintegration.

The Kazakh band Ninety One stirred up the conservative waters of the local music scene and the strictly hierarchical society. Although the musicians wearing makeup, earrings and dyed hair enchanted tens of thousands of fans, in their home country they are facing waves of hatred, concert cancellations, and threats.

Sudanese women practise football without professional equipment, in secret, and separated from the rest of the world by a fence. Although their skill and enthusiasm equal the men’s, the government won’t hear of a women’s team.

Vietnamese singer Mai Khoi decided not to be a conformist pop star and began to draw attention to the lack of freedom in her country, where civil activists, journalists and bloggers are being persecuted and arrested.

Dozens of people have already been killed by the Venezuelan security forces for protesting against the regime. The survivors can only hope that their sacrifice was not in vain.

In the besieged eastern area of Ghouta 400,000 civilians have become imprisoned, continually facing air raids in the Syrian civil war. For many of them, the last rescue is provided by a hospital with a complex of underground shelters, also called the Cave.

For one mother and her children, making a film together is a way of coming to terms with the trauma of war in Donbass, Ukraine.

Four Afghan immigrants living in the Iranian metropolis dream of becoming rock stars. Now they face a great challenge – their first public concert.

A poetic film about a group of young people in Transnistria, whose adolescence and future lives are shaped by the environment in their native country, which is facing social, political, and economic problems.

Do Europeans have a way to artistically enrich North Koreans? And vice versa? The film presents a clash of two views of art and its different roles in society.

For almost 50 years Israeli lawyer Lea Tsemel has defended clients she considers to be political prisoners. The vast majority of the public has a different name for them – terrorists.

Over 50 years ago the British government leased the Chagos Islands to the US to build a military base. The former inhabitants still live in exile.

Philippine director Alyx Ayn Arumpac presents a frightful testimony about the war on drugs that President Rodrigo Duterte has declared on his people. State-sponsored violence is slowly leading to social disintegration.

In politically unstable Honduras the security situation is bleak. Extreme crime, murder and violence are commonplace here.

Eight years ago, fire broke out in a cellar workshop in Karachi, Pakistan, where clothing was made for a German chain store. 258 people were buried under the ruins.

After years under siege, the Syrian city of Aleppo has turned into a ghost town. It is the backdrop for a dramatic story of a filmmaker capturing the course of a never-ending conflict as a testimony for her new-born daughter Sama.

People without access to farmland express their discontent with the situation in Brazil through radical, community-wide protests.

Young Slovak director Juraj Mravec witnessed the war in Iraq in close proximity to suffering and death. This experience became the basis for his film about war and male friendship.

Vietnamese singer Mai Khoi decided not to be a conformist pop star and began to draw attention to the lack of freedom in her country, where civil activists, journalists and bloggers are being persecuted and arrested.

Torturing prisoners with electroshocks and the forced application of depressants are only two consequences of the privatisation of a South African prison as revealed in this Dutch investigative documentary.

The crew of Sea-Watch 3, led by her captain, Carola Rackete, rescued more than forty refugees from drowning in the Mediterranean. A few days later, they were facing another dismal situation as one European harbour after another refused to let them cast anchor.

Canadian actress Ellen Page sets out on a trip through her native province of Nova Scotia. The main trigger for the journey and making this film was the eponymous book by Ingrid Waldron, which draws attention to a new phenomenon: environmental racism.

In Chechnya, homosexuality is a disgrace – for the individual and their family. Those who have escaped now have the chance to tell their story.